CHARMING SHORT FILM “PAPERMAN” PLAYS WITH “WRECK-IT RALPH”
Introducing a groundbreaking hybrid
approach that seamlessly merges computer-generated and hand-drawn animation
techniques, first-time director John Kahrs takes the art of animation in a bold
new direction with “Paperman,” a new short from Walt Disney Animation Studios
that debuts this November with the Disney feature “Wreck-It Ralph.”
Poster courtesy of Walt Disney Animation Studios |
Using
a minimalist black-and-white style, the short follows the story of a lonely
young man (George) in mid-century New York City, whose destiny takes an unexpected
turn after a chance meeting with a beautiful woman (Meg) on his morning
commute. Convinced that the girl of his dreams is gone forever, he gets a
second chance when he spots her in a skyscraper window across the avenue from
his office. With only his heart, imagination and a stack of papers to get her
attention, his efforts are no match for what the fates have in store for him.
Disney's Paperman |
“Paperman” was produced by Kristina
Reed (a key player in production and development at Disney Animation since
2008), and created by a small, innovative team working at Walt Disney Animation
Studios. It pushes the animation medium in an exciting new direction, and is a
bold experiment in bringing the organic, expressive and artistic qualities of
traditional hand-drawn, Disney animation to the cutting-edge look and limitless
possibilities of the CG world. Jeff Turley served as the film’s art director.
Emmy® Award-winning composer Christophe Beck (“The Hangover,” Disney’s “The
Muppets” and “Under the Tuscan Sun”) adds to the film’s uplifting mood and
appeal with his soaring score.
Helping
to give “Paperman” its unique look and style are the contributions of a
department the Studio dubbed Final Line. This small team of traditional 2D
animators used a proprietary drawing software tool called Meander to create a
layer of expressive hand-drawn lines and paint strokes that “stick” to a
foundation layer of carefully prepared CG animation in a completely new way,
respecting the flatness of the drawn line and using techniques specifically developed
for the project. The result is an extraordinary blend of the two animation
mediums that is a perfect match for the story and character needs of
“Paperman.”
“‘Paperman’ is definitely an attempt
to do something different in animation,” says Reed. “John and I both felt that
so many CG films today are striving for photorealism—we believe there is a
whole different visual frontier that should be explored. We wanted ‘Paperman’
to put something on the table in that direction, and we’re hoping that Disney
and other studios and artists will continue the conversation about how
different animation can look. It’s virtually limitless.
“John and I both come from CG
backgrounds,” continues Reed. “When we came to Disney, we discovered the power
of the line, its expressiveness and what our great 2D line artists can do. It
inspired us to think about where could go with this.”
“Paperman” had its world premiere at
the Annecy International Animation Film Festival in France on June 4, where it
received a resounding reception from animators and critics from around the
world. It went on to further acclaim with its North American premiere two weeks
later at the Los Angeles Film Festival.
Watch
“Paperman” in Philippine cinemas as it precedes all theatrical screenings of
“Wreck-It Ralph” starting Nov. 1.
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